Daddy-O-Nov is the promoter behind Emotional Market and Back From the Grave, events that put the Tokyo hardcore and garage punk scenes on the map. He also runs the Radio Underground label and makes custom badges. If you want one, contact him at email@example.com.
Well, Mods Mayday is over and now it’s summer and it looks like it’s gonna be a long one, “Long Hot Summer,” just like the Tom Robinson Band song. But seriously, those guys work hard to keep those events running, events like Mayday or London Nite Xmas, the ska-billy events and all of that. There are tons of people I only ever run into at those events, year after year, it’s like a class reunion or something.
I hope people feel that way about Back From the Grave. Shit! Speaking of BFTG, I gotta get my ass in gear and start booking bands. It’s almost June! This year’s Halloween Ball will be October 28 and 29 at Shinjuku Loft, so put it on your calendar. Hope to see you there.
Folks, with Supersnazz playing our last show on May 20, I dug out this li’l interview we did right after we put out our record “Get Down” in 2008. Enjoy!
At the time of writing, July 16, 2008, Supersnazz is eighteen years old. They’re putting out their seventh album, “Get Down,” on Meerkat Records (Vivid Sound). The album is infused with the energy of its new member, Greg, and its new label and it doesn’t have a second of filler. The day after they finished mixing, I sat down with the band to talk about the album and a whole bunch of other random stuff.
Interview by Haruko Shiozawa
“Congrats on finishing the record!”
(Glasses of beer, oolong tea and Black Hoppy are raised, cheers’d and glugged)
The Evil Hoodoo is getting back together to play at this year’s Rock-Ichi Rock-Za at Shindaita Fever on September 3 and I’m excited as hell. Definitely one of the garagiest of the garagey garage punk bands, and plenty dark and noisesome to boot. Here is a history of the band by Masao Nakagami just published on the Target Earth blog.
Although the Evil Hoodoo are considered to be a band in the true tradition of garage rock that plays music faithful to its 60s roots, they were never really part of Tokyo’s garage scene. Their existence was like an air pocket, and like an air pocket in the sky, it caused some turbulence. Continue reading →